When Cécile wakes up in the morning, does she still look to the east to find the light in the sky, does she feel the wind on her skin, lifting her up and carrying her away, is she hungry, is she thirsty, is she hot, does she cling to the branches of the poplar trees or the craggy rocks of the cliffs that graze the flesh, is it all still possible? sometimes he imagines her walking towards the sea, just as she did on that windy morning in September, when idle and aimless they’d strolled, a scattered cluster of them on a beach in Italy, their indolent youth weighed nothing then and their feet barely made a mark on the sand, the dust of gloom had settled on him, concealing his face, she noticed it, there was no explanation, only perhaps in the space of a second he felt all that this movement carried within, eternal as much as ephemeral, or perhaps it was just the wind sweeping away the skins that are shed on the path to adulthood, and Cécile said her moods were cyclical too, there was no explanation, no way to better understand, he smiled at her it had already passed, between them the dust had revealed the contours of a nascent complicity, at the water’s edge they laughed again and that’s how he sometimes imagines her, walking towards the sea barefoot on sand that would not retain the mark of her footprints, young and bright, she disap- pears then in the ebb of the tide, in a sequence of time too brief for him to grasp, the image of her on the beach as fleeting as her passage through life, no sooner deposited on the sand than swept away, already erased by the froth of the years, what remains then in his mind is the blondeness of her hair, her eyebrows and eyelashes framing her eyes, irises sometimes barely visible through the narrow aperture between her eyelids, her youthful face all blondeness and light and the pink in her cheeks, and he tries as he plunges into the dark molasses of memory to recompose the shape of her mouth and her smile and the dimples drawn on her face and her blonde, sunny laughter, is it still possible, a face like that, a blondeness like hers down to the eyelashes, emerging from sleep in the morning, draped in the wind that blows on her skin and carries her away, is it still possible that there’s pink in those cheeks, and those dimples, clinging to the branches at the top of the poplar trees, to the crag- gy face of the cliffs? no, he knows it’s impossible, he knows Cécile can no longer feel the wind on her skin, she’s no longer hungry, no longer thirsty, she doesn’t wake up in the middle of the night and will never wake up again, you don’t wake up from that kind of sleep, she knows nothing now of the poplar trees or the flow of the tide and all that survives of her blondeness is a memory that’s fading already, that’s why he clings to those few images like a ten- uous thread without beginning or end, a thread to hold on to that might break in time, that certainly will between age and forgetting, so he goes into battle, he has to capture what is disappearing, what has already ceased to exist, before he forgets the shape of her face and the pink in her cheeks, because he’s already forgotten so many things as important as the colour of her eyes, he can remember their shape and how they lit up when she smiled and the irises you could barely see beneath the lashes but their colour has gone and if some- one were to ask him today what colour they were he would say they were blonde, that’s how he remembers them, her eyes were blonde because her eyelashes were blonde and her eyebrows too and that’s how we forget things, that’s how we forget people, that’s how he’s forgetting Cécile, and he’d like to freeze the gaping hole that is grad- ually forming in his memory and stop it from devouring her face because forgetting is an unfair, brutal thing, it’s swallowing up the colour of her eyes the shape of her hands her scent and her words leaving only the memory of death his memory is vivid of the death of Cécile, and the image of receiv- ing the news is clear, though the sharpness is gradually eroding, he was sitting at his desk and the telephone rang, D. was crying, it was the first time he’d heard from her in months, she’d been trying to reach him for two days she said, her voice was slow and weak, sticky with grief, she was sobbing and the rest he doesn’t remem- ber, perhaps she said point blank, a cry, Cécile is dead, or perhaps she spoke of an accident first and only then did she say the words, Cécile is dead, he really doesn’t know, he thinks she said there’d been an accident, that Cécile was in a plane with some others he knew, a small tourist plane, that they’d taken off from an aero- drome in the south and the wind had blown the plane from the sky and it crashed, all four of them died D. probably said, but all he re- members is that sentence, Cécile is dead, it was 10 August 2001, and the accident happened on the 8th he thinks, he’s more or less sure of the dates but the minutes and hours that followed the news he doesn’t remember much about, like looking into an opaque, milky broth, what he does know is he felt the need to tell someone else, of course he thought he should break the news but deep down it was simply a way of disposing of Cécile’s death the way you might throw an unpinned grenade as far as you can, he called B. who’d been Cécile’s boyfriend 10 years before, the first time he’d ever seen her in fact, and when B. picked up his voice took on a deeper tone and he said to him Cécile is dead and he said what he knew about the accident but B. didn’t seem affected, aside from his surprise at the news it didn’t seem to have moved him much, or to be more pre- cise the news did not seem to have pierced through the density of his life, which was busy unfolding, perhaps he hadn’t planted the needle of surprise with quite enough force, and he recalls telling B. he thought he should know, seeing as the two of them had gone out together, but again he found B. surprisingly detached and the con- versation turned to banalities before they hung up, next he called J. and said Cécile is dead but J. couldn’t really remember her well, he had to think for a while to put a face to the name, five years had passed since they’d finished their studies and he had the feeling J. didn’t see why he’d thought it necessary to call him immediately and they hung up the phone in silence, only then did the jumbled idea of Cécile’s death gather at eye level like a greyish cloud, filter- ing the light of that August morning, darkening the room, and in that moment his intuition told him that the words Cécile is dead meant nothing, that the sounds it contained did not go together, they were dissipating, the idea of Cécile’s death had an ethereal, vaporous quality, a simple gesture was all it would take to disrupt its appearance, turn it into something shifting, indescribable, and he has never since been able to grasp its form