Portrait of Evie Wyld
Winning Book Image
All the Birds, Singing

Avant la publication de All The Birds, Singing Evie Wyld n’avait publié qu’un seul roman : After the Fire, A Still Small Voice (traduction française : Après le feu, un murmure doux et léger, Actes Sud, 2013). Ce dernier a été selectionné pour le IMPAC Award, le Orange Award for New Writers et le Commonwealth Writers’ Prize. Il a également été primé par le John Llewellyn Rhys Prize. En 2013, elle a été nommée au panel de la revue Granta, qui référence les meilleurs jeunes romanciers britanniques. Précédemment, elle avait été reconnue par la BBC comme étant l’un des 12 meilleurs nouveaux écrivains britanniques. All the Birds, Singing a été placé sur la liste des ouvrages en compétition pour le Baileys Women's Prize for Fiction. Actuellement, Evie Wyld vit à Peckham, dans la ville de Londres, où elle dirige la librairie « Review ».

EUPL Country

Agent / Rights Director

Laetitia Rutherford
+44 20 7388 7529

Publishing House

Translation Deals

Translation Deals
  • Albania: Morava
  • Australia: Random House
  • Brazil: Dark Side
  • Bulgaria: Persei
  • Croatia: Naklava Ljevak
  • Czechia: Omega
  • Finland: Tammi
  • France: Actes Sud
  • Georgia: Agora
  • Hungary: Metropolis
  • Iceland: Bokautgafan Bjartur
  • Italy: Safara
  • Lithuania: Alma Littera
  • Netherlands: De Geus
  • North Macedonia: Bata Press
  • Norway:  Alle fuglene synger
  • Portugal: Jacarandá Editora
  • Serbia: Dereta
  • Slovenia: KUD Sodobnost International
  • Spain: Futurbox Project SL
  • Turkey: Yabanci
  • United Kingdom & Canada: Jonathan Cape
  • USA: Pantheon



Another sheep, mangled and bled out, her innards not yet crusting and the vapours rising from her like a steamed pudding. Crows, their beaks shining, strutting and rasping, and when I waved my stick they flew to the trees and watched, flaring out their wings, singing, if you could call it that. I shoved my boot in Dog’s face to stop him from taking a string of her away with him as a souvenir, and he kept close by my side as I wheeled the carcass out of the field and down into the woolshed.

I’d been up that morning, before the light came through, out there, talking to myself, telling the dog about the things that needed doing as the blackbirds in the hawthorn started up. Like a mad woman, listening to her own voice, the wind shoving it back down my throat and hooting over my open mouth like it had done every morning since I moved to the island. With the trees rattling in the copse and the sheep blaring out behind me, the same trees, the same wind and sheep.

That made two deaths in a month. The rain started to come down, and a sudden gust of wind flung sheep shit at the back of my neck so it stung. I pulled up my collar and shielded my eyes with my hand.

Cree-cra, cold, cree-cra, cold.

‘What are you laughing at?’ I shouted at the crows and lobbed a stone at them. I wiped my eyes with the back of my hand and breathed in and out heavily to get rid of the blood smell. The crows were silent. When I turned to look, five of them sat in a row on the same branch, eyeing me but not speaking. The wind blew my hair in my eyes.

The farm shop at Marling had a warped and faded sign at the foot of its gate that read FREE BABY GUINEA PIGS. There was never any trace of the free guinea pigs and I had passed the point of being able to ask. The pale daughter of the owner was there, doing a crossword. She looked up at me, then looked back down like she was embarrassed.

‘Hi,’ I said.

She blushed but gave me the smallest of acknowledgements. She wore a thick green tracksuit and her hair was in a ponytail. Around her eyes was the faint redness that came after a night of crying or drinking.

Supporting Document
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